How Do I Get The Smell Out Of My Ski Boots

recap: 10th meeting - Jazz & Cinema

The House of Jazz presents

Jazz Colours - The music that revolves around you
12 games on jazz and its influences

10th meeting
Jazz and Cinema Monday, December 7


Auditorium of the Casa del Jazz
Viale di Porta Ardeatina 55-00153 Rome

19.00 pm Free entrance


Info line: Tel 2006 704 731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto
multimedia Directed by Vittorio Malpassuto

With
Riccardo Fassi Trio
Riccardo Fassi (piano) - Steve Cantarano (bass) - Mark Valeri (drums)

SUZANNE MARINELLI DUO Boots and EMILIO
Susanna Boots (voice) - Emily Marinelli (piano)

The cinema has often used the jazz and its leading figures for their own purposes. Just think of the film's debut sound film "The Jazz Singer" (1927), but with jazz had little to do. For almost 30 years, except for some short films like "Black and Tan Fantasy" (1929) by Dudley Murphy, "Symphony in Black" (1935) by Fred Waller and "Jammin 'the Blues" (1944) by Gjon Mili, have views fictionalized biographies of jazz musicians such as: "Five Pennies" (on Red Nichols), "The Benny Goodman Story, The Glenn Miller Story ", etc.. Or film with the participation of musicians in various ways individuals, groups or bands such as" Cabin in the Sky, New Orleans "(in Italian" City of Jazz ")," Stormy Weather "" A Song is Born "(in Italian" Venus and the Professor "), etc.., or with film soundtracks, written by jazz musicians such as:" anathomy of a Murder "(" Anatomy of a Murder "), written by Duke Ellington, "The Man with the Golden Arm" ("The Man with the Golden Arm"), written by Elmer Bernstein, or "Ascenseur pour l'Éschafaud" ("Elevator to the Gallows") written by Miles Davis, etc., only to remember the most famous. 5th year ago, finally, in the summer of 1958, U.S. Bern Stein released a documentary film Jazz on a "Summer's Day" at the Newport Jazz Festival that year, the event jazz par excellence. The film offers us portraits of the best sound of jazz, blues and gospel of the time (Louis Armstrong, Gerry Mulligan, Thelonouis Monk, Chico Hamilton, Jimmy Giuffre, Anita O'Day, Dinah Washington, Mahalia Jackson, and many others ). And then there's the recent history of children with major themes of jazz and products made with intense love.

Orbit Remote Starter Owner Manual

recap: 9th meeting - Jazz and Pop (song form)

The House of Jazz presents

Jazz Colours - The music that revolves around you

12 games on jazz and its influences

9 th meeting

Jazz and Pop Song

Monday, November 30

Auditorium of the Casa del Jazz

Ardeatina Gate Avenue, 55 - 00153 Roma

19.00

Free admission

Info line: Tel 2006 704 731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto

Media Director Vittorio Malpassuto

With

BassVoice Project

Pippo Matino (bass) - "Silviavoce" Beard (vocals)

ANTONELLA VITALE QUINTET

Antonella Vitale (vocals) - Domenico Sanna (piano) - Francesco Puglisi (upright bass) - Alessandro Marzi (drums) - Aldo Bassi (trumpet and flugelhorn)

FEDERICA BAIONI QUARTET

Federica Baio (voice) - Giuliano Values \u200b\u200b(piano)

Maurizio Perrone (bass) - Dario Esposito (drums)

A Unlike what happens very often in pop, jazz is not running on the composition and the thing is easily explained: there are many who presume to have the inspiration to write a song, a form of expression that always must be considered popular, and to compose a jazz piece is a technical undoubtedly higher. Happens that sometimes a great song is able to overcome the boundaries of its traditional use, to become an evergreen (defying the passage of time) and, in very special cases, in jazz standards (or better: new stand) benefiting oestrus of expressive talent and genius of musicians who prefer to operate on what is billed as beautiful, instead of risking their creativity in original songs at the risk of outcomes are expected. Jazz and pop is often marry, crossing each other are colored, and often with fantastic results and unexpected. Almost always, the jazz musicians who decide to steal a pop song, the first thing they do is to sacrifice the text. Do not go, however, forgotten pop songs that are born with a predisposition jazzy falling into a sphere more sophisticated, highly appreciated by the public's palate up.