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Roma Fiction Fest 2010 recap: Jazz Colours Christmas Party 2009

At the end of the cycle of 12 matches for "Jazz Colours - The music that you turn around" we thought it House of Jazz, more unique than rare, it would have been nice to gather all the musicians who participated in the meetings, the other Roman musicians who want to participate, the most influential DJs and music connoisseurs in a Christmas Party and Jam Session-based, fun, DJ sets and lavish Christmas toast.

An unforgettable evening of high and luxurious! rate of sound creativity.

Merry Christmas and Happy New Year from

Alfredo Saitto Malpassuto & Vittorio,
Giorgia Ferrara and Valentina Vinci Orlando

Caffe Latino
Via di Monte Testaccio 96, Rome

Jazz Colours Christmas Party 2009

Tuesday, December 22 - hour 22:00

Luxury jam session (22.30)

Master of Ceremony Mr. Alfredo Posillipo

Many thanks to (in alphabetical order):

Fabio Accardi (drums) - Federica Baio (voice) - "Silviavoice" Barba (voice) - Daniel Basirico (electric bass) - Aldo Bassi (trumpet and flugelhorn) - Giuseppe Bassi (bass) - Richard Biseo (piano) - Need Pierpaolo (marimba and percussion) - Alfredo Bochicchio (guitar) - Luca Bulgarelli (bass guitar, double bass & electronics) - Massimo Calabrese (bass and vocals) - Steve Cantarano (bass) - Giosi Cincotti (piano and keyboards) - Claudio Colasazza (piano) - Eric Daniel (sax and flute) - Marina De Santis (voice) - Maria Pia De Vito (vocals & electronics) - Dario Esposito (drums) - Riccardo Fassi (piano) - Ferrazza James (bass guitar and double bass) - Alessandro Gwis (piano & electronics) - Mats Helberg / guitar) - John Leary (drums) - Paul Innarella (wind instruments) - Pino Jodice (Piano) - Emily Marinelli (piano) - Alessandro Marzi (drums) - Pippo Matino (electric bass) - Stefano Micarelli (guitar) - Eddy Palermo (guitar) - Maureen Perry (bass) - Désirée Petrocchi (voice) - David Pistons ( piano, keyboards and vocals) - Francesco Puglisi (bass guitar and double bass) - Michele Rabbia (drums, percussion & electronics) - Simona Rizzi (voice) - Domenico Sanna (piano) - Rinaldo Santiago (drums) - Carlos Sarmiento (piano) - Emanuele Smimmo (drums) - Giuliana Soscia (accordion) - Susanna Boots (voice) - Marcello Surace (drums) - Fulvio Tomaino (voice) - Fabiola Torresi (voice) - Mark Valeri (drums) - Giuliano Values \u200b\u200b(piano) - Franco Ventura (guitar and vocals) - Aldo Vigorito (bass) - Antonella Vitale (vocals) - Derek Wilson (drums) - Ezio Zaccagnini (drums) - Aidan Zammit (piano and vocals) - Jan Albelo Carlos Zamora (violin and harmonica) - Rocco Zifarelli (electric guitar and oud)

Luxury DJ set (approximately 24.00 hours)

Master of Ceremony: Mr. John Foxy

With (in alphabetical order):

Gino Woody Bianchi (jazz funk) - Claudio Casalini (swing jazz) - Filippo Clary (lounge jazz) - Nicola De Stefano (soul jazz) - Giancarlino (acid jazz) - Paul Micioni (jazz rock) - Gianni Sponta (latin jazz) - Mario Tagliaferri (italian pop jazz) - Andrea Torre (international jazz pop)

are de rigueur:
true love for good music
the desire to participate in an unforgettable evening

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recap: 12th meeting - Jazz Spirituality and

The House of Jazz presents

Jazz Colours - The music that revolves around you
12 games on jazz and its influences

12th meeting
Jazz and Spirituality
Wednesday, December 17

Auditorium of the Casa del Jazz
Viale di Porta Ardeatina, 55 - 00153 Roma

19.00
Free admission

Info line: Tel 06 704731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto
Media Director Vittorio Malpassuto

With
Notker Wolf OSB (Abbot Primate of the Benedictine order)

Biseo Richard (piano)

Giuliana Soscia (accordion) and Pino Jodice (piano)

Vocintransito
Désirée Petrocchi (Voice) - Simona Rizzi (Voice) - Susanna Boots (voice) - Fabiola Torresi (Voice) - Aidan Zammit (Piano & Voice)

The roots of jazz rooted in African culture, in the songs of slaves deported blacks in the United States. These people, working, singing something that, later, their own grandchildren were baptized Blues. The blues - which obviously is related to jazz - is also a state of mind. Harmony (the set of agreements at the base of the melody) of the blues is absolutely characteristic and peculiar: it comes from the jazz and the consideration of religious blues, spirituals (or gospel). The spiritual is an African-American music, usually with a Christian religious text. Originally monophonic and chapel, this kind of music predates the blues. The terms Negro spirituals, black spirituals, and African-American spirituals, are among their synonyms, in the nineteenth century the term jubilee was more widespread (Especially among African Americans, whites often called the songs of the slaves).

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recap: 11th meeting - Jazz and Ethno / World

The House of Jazz presents

Jazz Colours - The music that revolves around you
12 games on jazz and its influences

11 th meeting
Jazz and Ethno / World Music
Thursday, December 17

Auditorium of the Casa del Jazz
Ardeatina Gate Avenue, 55 - 00153 Roma

19.00


Admission free Info line: Tel 2006 704 731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Directed by Vittorio
Saitto Media Malpassuto


By John Leary (drums)
Piepaolo Need (marimba, percussion)

The etymology of the word jazz is unknown, but the great Dizzy Gillespie Jasi said, in an African dialect means "to live at a fast pace." We like to think of it as the great Dizzy. Blacks slaves, deported from Africa from 1500 to 1865, met with the Europeans arrived to colonize the Americas, and the intersection of subterranean forces of a people regarded as instinctive (the Africans) and Western idealism born of classical Greece and flourished from the Germanic world a new cultural form based on the creativity convivial instincts and improvisation, vocal and instrumental. In the southern U.S. blacks slaves were kept tied to their music and the first song, the musical instruments brought from Africa, particularly drums, were in fact confiscated because whites believed that they were used to communicate and to incite rebellion . The African musical tradition was linked to events of daily life and agricultural and pastoral event of war. With this meeting we will go to the roots of jazz and we will review the times when the tradition of a land becomes unmistakable sound.

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recap: 10th meeting - Jazz & Cinema

The House of Jazz presents

Jazz Colours - The music that revolves around you
12 games on jazz and its influences

10th meeting
Jazz and Cinema Monday, December 7


Auditorium of the Casa del Jazz
Viale di Porta Ardeatina 55-00153 Rome

19.00 pm Free entrance


Info line: Tel 2006 704 731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto
multimedia Directed by Vittorio Malpassuto

With
Riccardo Fassi Trio
Riccardo Fassi (piano) - Steve Cantarano (bass) - Mark Valeri (drums)

SUZANNE MARINELLI DUO Boots and EMILIO
Susanna Boots (voice) - Emily Marinelli (piano)

The cinema has often used the jazz and its leading figures for their own purposes. Just think of the film's debut sound film "The Jazz Singer" (1927), but with jazz had little to do. For almost 30 years, except for some short films like "Black and Tan Fantasy" (1929) by Dudley Murphy, "Symphony in Black" (1935) by Fred Waller and "Jammin 'the Blues" (1944) by Gjon Mili, have views fictionalized biographies of jazz musicians such as: "Five Pennies" (on Red Nichols), "The Benny Goodman Story, The Glenn Miller Story ", etc.. Or film with the participation of musicians in various ways individuals, groups or bands such as" Cabin in the Sky, New Orleans "(in Italian" City of Jazz ")," Stormy Weather "" A Song is Born "(in Italian" Venus and the Professor "), etc.., or with film soundtracks, written by jazz musicians such as:" anathomy of a Murder "(" Anatomy of a Murder "), written by Duke Ellington, "The Man with the Golden Arm" ("The Man with the Golden Arm"), written by Elmer Bernstein, or "Ascenseur pour l'Éschafaud" ("Elevator to the Gallows") written by Miles Davis, etc., only to remember the most famous. 5th year ago, finally, in the summer of 1958, U.S. Bern Stein released a documentary film Jazz on a "Summer's Day" at the Newport Jazz Festival that year, the event jazz par excellence. The film offers us portraits of the best sound of jazz, blues and gospel of the time (Louis Armstrong, Gerry Mulligan, Thelonouis Monk, Chico Hamilton, Jimmy Giuffre, Anita O'Day, Dinah Washington, Mahalia Jackson, and many others ). And then there's the recent history of children with major themes of jazz and products made with intense love.

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recap: 9th meeting - Jazz and Pop (song form)

The House of Jazz presents

Jazz Colours - The music that revolves around you

12 games on jazz and its influences

9 th meeting

Jazz and Pop Song

Monday, November 30

Auditorium of the Casa del Jazz

Ardeatina Gate Avenue, 55 - 00153 Roma

19.00

Free admission

Info line: Tel 2006 704 731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto

Media Director Vittorio Malpassuto

With

BassVoice Project

Pippo Matino (bass) - "Silviavoce" Beard (vocals)

ANTONELLA VITALE QUINTET

Antonella Vitale (vocals) - Domenico Sanna (piano) - Francesco Puglisi (upright bass) - Alessandro Marzi (drums) - Aldo Bassi (trumpet and flugelhorn)

FEDERICA BAIONI QUARTET

Federica Baio (voice) - Giuliano Values \u200b\u200b(piano)

Maurizio Perrone (bass) - Dario Esposito (drums)

A Unlike what happens very often in pop, jazz is not running on the composition and the thing is easily explained: there are many who presume to have the inspiration to write a song, a form of expression that always must be considered popular, and to compose a jazz piece is a technical undoubtedly higher. Happens that sometimes a great song is able to overcome the boundaries of its traditional use, to become an evergreen (defying the passage of time) and, in very special cases, in jazz standards (or better: new stand) benefiting oestrus of expressive talent and genius of musicians who prefer to operate on what is billed as beautiful, instead of risking their creativity in original songs at the risk of outcomes are expected. Jazz and pop is often marry, crossing each other are colored, and often with fantastic results and unexpected. Almost always, the jazz musicians who decide to steal a pop song, the first thing they do is to sacrifice the text. Do not go, however, forgotten pop songs that are born with a predisposition jazzy falling into a sphere more sophisticated, highly appreciated by the public's palate up.