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recap: 3rd meeting. Jazz and Brazil

The House of Jazz presents

Jazz Colours - The music that revolves around you

12 games on jazz and its influences

3 rd meeting

Jazz and Brazil

Monday, October 19

Auditorium of the Casa del Jazz

Ardeatina Gate Avenue, 55 - 00153 Roma

19.00

Free admission

Info line: Tel 2006 704 731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto

With the expertise of Victor Malpassuto

With

Max De Tomasi (radio host)

Eddy Palermo (guitar)

Rinaldo Santiago (drums)

Basirico Daniel (bass)

Marina De Santis (vocals)

Colasazza Claudio (piano)

Juan Carlos Albelo (harmonica)

Paradoxically, the meeting between the two main types of music of the Americas (jazz and samba), it was the work of those who had invented and had made history and established features. The American jazz is essentially due to the influence of African rhythms mixed with European music and flokloristica whites. Similarly, but with completely different rules, Brazilian music, born from the rhythms imported by the slaves with the Portuguese music and rhythms of indigenous (Brazilian music, like his people, has three souls). In both situations, the European musical tradition, religious traditions (Protestant north, the south Catholic), were mixed with the temperament of the blacks who were the main performers, innovators and soul of the music of the two sub-continents. The real "fusion" between the North American jazz and samba (music), Brazil (in their modern form) takes place instead of by white musicians. The bossa nova was a form of samba totally reinvented by a diverse group such as geographical location, but quite as homogeneous social characteristics: it was the white middle class society, modern and inspired by the new wind of economic revival and nationalist, of Brazil Juscelino Kubitschek. The merged jazz with which, by its inventors themselves, in the United States in the early sixties, was a successful musician as Stan Getz, which was very true to the black jazz, but that was one of the leaders the coolest music, loved by the general public, white, that he bought the discs and voted in the referendum of specialist publications.

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recap: 2nd meeting. Jazz and Cuba

House Jazz presents

Jazz Colours - The music that revolves around you

12 games on jazz and its influences

2nd meeting

Monday, October 12

Auditorium of the Casa del Jazz

Ardeatina Gate Avenue, 55 - 00153 Roma

19.00

Free admission

Info line: Tel 06 704731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto

With the expertise of Victor Malpassuto

with

Emanuele Smimmo (drums)

Carlos Sarmiento (piano)

Francesco Puglisi (electric bass)

Juan Carlos Zamora Albelo (violin and harmonica)

Jazz Cubano form the backbone of 'much broader universe of Latin Jazz and is characterized by rhythms combined with jazz melodies and progressions of stringed instruments. The Latin influences have begun to merge with the background music in the United States in 1930. Some Latin dances like salsa and merengue continue to feel its influence today.

Latin music has its own unique sound. The eight notes are played straight, do not swing like the other styles of jazz but syncopated. A wide variety of Latin percussion supports the creation of musical orchestras. The Congas, which are of Afro-Cuban origin are played with the palms of the hands and fingers, even the Bongos are Afro-Cubans, but they are taller and thinner. Other common tools are timbales, claves and bells.

The Cuban Jazz, simplifying a lot, is a mixture between the Jazz and the Son, one of its interpreters remember Mario Bauza, world-class trumpeter who emigrated to the United States in the thirties. The Cuban Jazz has the merit of to enter into any modern jazz orchestra percussion Cuban of African descent. Among its leading exponents include Chucho Valdes, Arturo Sandoval, the group Irakere, Bareto Guillermo, Emiliano Salvador and Chano Pozo. ... but the list can go on forever.

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recap: 1 meeting - Introduction

La Casa del Jazz presents

Jazz Colours - The music that revolves around you

12 games on jazz and its influences

1st meeting

Monday, October 5

Auditorium of the Casa del Jazz

Ardeatina Gate Avenue, 55 - 00153 Roma

19.00

Free admission

Info line: Tel 06 704731 (Monday to Friday from 10.00 to 18.00)

Leads Alfredo Saitto

With the expertise of Victor Malpassuto

with

Dario Salvatori

Ezio Zaccagnini (drums)

Giosi Cincotti (piano and keyboards)

Ferrazza James (bass and electric bass)

Starting from the widespread assertion that defines jazz is "a genre of music," considering reductive, in this first meeting (which for simplicity we define the application cycle), is investigating the jazz world as a complex, crowded and full of surprises. To make clear the multitude of concepts, just this once, we will use conventional definitions (apparently technical) that catalog in the macro-jazz (Big Band / Swing - Bop - Cool - Free Jazz - Fusion - Hard Bop - Latin Jazz / World Fusion - New Orleans / Classic Jazz - Soul Jazz / Groove), which in turn winding in many proposals that reflect the styles of musical structures, the type of training and contamination of the thousands (not just sound).

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bye Maurizio Viola ... able to do portraits of the colorful fantasy world of our music

Thinking Maurizio Viola come to mind, first, three things: the music (in its deepest essence), love for animals (the relationship with the Goofy dog \u200b\u200bwas more of a perfect partnership) and food (defined as quality products and a predisposition for the kitchen). That's why for over 30 years I had with Maureen a close friendship kept alive by the desire to share. And of topics in common we had ... but if we had ...
begin by saying that 90 percent of people who read these lines have a picture of her at home and not know it. Mauritius has photographed all the music that counts. The list is endless: from U2 to Bruce Springsteen, by Fabrizio De Andrè Vasco Rossi, through jazz, world music, progressive rock and theater / song. If you want, go and see the credits of photography that stands on the cover of your favorite CD and you'll find his name.
If the foreign artists who come to Italy, only a few days and then continue on their journey, they have fleetingly admired for his professionalism and talent, there are a few homegrown stars who are in Mauritius much, and if they had a minimum of self-criticism, now that there's more, they should blame herself for their vulgar ungrateful. I would want to name names, but I disapprove of Mauritius and then not do them.
The life of an artist (and Viola was an artist full title) is made of ups and downs, but if you do not crowd the stage with success, but he lives behind the scenes, the highs are never very tiring to have ups and downs overcome. Where were they in recent years, the homegrown star "friends" that he always got the best (and more) and pay a fair and gave him a little ... very little in return? For them the important thing is to keep the locations (the turnovers), and who cares who helped to get where they are now ... Maurizio
went his way and he continued to create beautiful things: high level performances, projects that are always emerging dall'asfittico nothing that reigns supreme in the music of Italian consumers, almost manic in the universe of a scouting new talent and then ... "Generation X", a review (unique) who opened the Parco della Musica in Rome to a number of artists who could hardly find a place where those prestigious stages.
I will miss your vehement social and political stances, I will miss your unconditional love for our Rome messed up, I will miss your kindness, education of the past, the elegance ways and dedication with which he defended his word, I will miss a reliable partner like you, I will miss your friendship that I have always honored. Maurizio ... I'll miss you ... a lot.
PS If you want to know from all those around you where you are now, let them taste your mythical carbonara .. and triggered the blaze to a great gentleman.

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"Jazz clours" - House of Jazz - The Jazz Colours