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Roma Fiction Fest 2010 recap: Jazz Colours Christmas Party 2009

At the end of the cycle of 12 matches for "Jazz Colours - The music that you turn around" we thought it House of Jazz, more unique than rare, it would have been nice to gather all the musicians who participated in the meetings, the other Roman musicians who want to participate, the most influential DJs and music connoisseurs in a Christmas Party and Jam Session-based, fun, DJ sets and lavish Christmas toast.

An unforgettable evening of high and luxurious! rate of sound creativity.

Merry Christmas and Happy New Year from

Alfredo Saitto Malpassuto & Vittorio,
Giorgia Ferrara and Valentina Vinci Orlando

Caffe Latino
Via di Monte Testaccio 96, Rome

Jazz Colours Christmas Party 2009

Tuesday, December 22 - hour 22:00

Luxury jam session (22.30)

Master of Ceremony Mr. Alfredo Posillipo

Many thanks to (in alphabetical order):

Fabio Accardi (drums) - Federica Baio (voice) - "Silviavoice" Barba (voice) - Daniel Basirico (electric bass) - Aldo Bassi (trumpet and flugelhorn) - Giuseppe Bassi (bass) - Richard Biseo (piano) - Need Pierpaolo (marimba and percussion) - Alfredo Bochicchio (guitar) - Luca Bulgarelli (bass guitar, double bass & electronics) - Massimo Calabrese (bass and vocals) - Steve Cantarano (bass) - Giosi Cincotti (piano and keyboards) - Claudio Colasazza (piano) - Eric Daniel (sax and flute) - Marina De Santis (voice) - Maria Pia De Vito (vocals & electronics) - Dario Esposito (drums) - Riccardo Fassi (piano) - Ferrazza James (bass guitar and double bass) - Alessandro Gwis (piano & electronics) - Mats Helberg / guitar) - John Leary (drums) - Paul Innarella (wind instruments) - Pino Jodice (Piano) - Emily Marinelli (piano) - Alessandro Marzi (drums) - Pippo Matino (electric bass) - Stefano Micarelli (guitar) - Eddy Palermo (guitar) - Maureen Perry (bass) - Désirée Petrocchi (voice) - David Pistons ( piano, keyboards and vocals) - Francesco Puglisi (bass guitar and double bass) - Michele Rabbia (drums, percussion & electronics) - Simona Rizzi (voice) - Domenico Sanna (piano) - Rinaldo Santiago (drums) - Carlos Sarmiento (piano) - Emanuele Smimmo (drums) - Giuliana Soscia (accordion) - Susanna Boots (voice) - Marcello Surace (drums) - Fulvio Tomaino (voice) - Fabiola Torresi (voice) - Mark Valeri (drums) - Giuliano Values \u200b\u200b(piano) - Franco Ventura (guitar and vocals) - Aldo Vigorito (bass) - Antonella Vitale (vocals) - Derek Wilson (drums) - Ezio Zaccagnini (drums) - Aidan Zammit (piano and vocals) - Jan Albelo Carlos Zamora (violin and harmonica) - Rocco Zifarelli (electric guitar and oud)

Luxury DJ set (approximately 24.00 hours)

Master of Ceremony: Mr. John Foxy

With (in alphabetical order):

Gino Woody Bianchi (jazz funk) - Claudio Casalini (swing jazz) - Filippo Clary (lounge jazz) - Nicola De Stefano (soul jazz) - Giancarlino (acid jazz) - Paul Micioni (jazz rock) - Gianni Sponta (latin jazz) - Mario Tagliaferri (italian pop jazz) - Andrea Torre (international jazz pop)

are de rigueur:
true love for good music
the desire to participate in an unforgettable evening

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recap: 12th meeting - Jazz Spirituality and

The House of Jazz presents

Jazz Colours - The music that revolves around you
12 games on jazz and its influences

12th meeting
Jazz and Spirituality
Wednesday, December 17

Auditorium of the Casa del Jazz
Viale di Porta Ardeatina, 55 - 00153 Roma

19.00
Free admission

Info line: Tel 06 704731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto
Media Director Vittorio Malpassuto

With
Notker Wolf OSB (Abbot Primate of the Benedictine order)

Biseo Richard (piano)

Giuliana Soscia (accordion) and Pino Jodice (piano)

Vocintransito
Désirée Petrocchi (Voice) - Simona Rizzi (Voice) - Susanna Boots (voice) - Fabiola Torresi (Voice) - Aidan Zammit (Piano & Voice)

The roots of jazz rooted in African culture, in the songs of slaves deported blacks in the United States. These people, working, singing something that, later, their own grandchildren were baptized Blues. The blues - which obviously is related to jazz - is also a state of mind. Harmony (the set of agreements at the base of the melody) of the blues is absolutely characteristic and peculiar: it comes from the jazz and the consideration of religious blues, spirituals (or gospel). The spiritual is an African-American music, usually with a Christian religious text. Originally monophonic and chapel, this kind of music predates the blues. The terms Negro spirituals, black spirituals, and African-American spirituals, are among their synonyms, in the nineteenth century the term jubilee was more widespread (Especially among African Americans, whites often called the songs of the slaves).

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recap: 11th meeting - Jazz and Ethno / World

The House of Jazz presents

Jazz Colours - The music that revolves around you
12 games on jazz and its influences

11 th meeting
Jazz and Ethno / World Music
Thursday, December 17

Auditorium of the Casa del Jazz
Ardeatina Gate Avenue, 55 - 00153 Roma

19.00


Admission free Info line: Tel 2006 704 731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Directed by Vittorio
Saitto Media Malpassuto


By John Leary (drums)
Piepaolo Need (marimba, percussion)

The etymology of the word jazz is unknown, but the great Dizzy Gillespie Jasi said, in an African dialect means "to live at a fast pace." We like to think of it as the great Dizzy. Blacks slaves, deported from Africa from 1500 to 1865, met with the Europeans arrived to colonize the Americas, and the intersection of subterranean forces of a people regarded as instinctive (the Africans) and Western idealism born of classical Greece and flourished from the Germanic world a new cultural form based on the creativity convivial instincts and improvisation, vocal and instrumental. In the southern U.S. blacks slaves were kept tied to their music and the first song, the musical instruments brought from Africa, particularly drums, were in fact confiscated because whites believed that they were used to communicate and to incite rebellion . The African musical tradition was linked to events of daily life and agricultural and pastoral event of war. With this meeting we will go to the roots of jazz and we will review the times when the tradition of a land becomes unmistakable sound.

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recap: 10th meeting - Jazz & Cinema

The House of Jazz presents

Jazz Colours - The music that revolves around you
12 games on jazz and its influences

10th meeting
Jazz and Cinema Monday, December 7


Auditorium of the Casa del Jazz
Viale di Porta Ardeatina 55-00153 Rome

19.00 pm Free entrance


Info line: Tel 2006 704 731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto
multimedia Directed by Vittorio Malpassuto

With
Riccardo Fassi Trio
Riccardo Fassi (piano) - Steve Cantarano (bass) - Mark Valeri (drums)

SUZANNE MARINELLI DUO Boots and EMILIO
Susanna Boots (voice) - Emily Marinelli (piano)

The cinema has often used the jazz and its leading figures for their own purposes. Just think of the film's debut sound film "The Jazz Singer" (1927), but with jazz had little to do. For almost 30 years, except for some short films like "Black and Tan Fantasy" (1929) by Dudley Murphy, "Symphony in Black" (1935) by Fred Waller and "Jammin 'the Blues" (1944) by Gjon Mili, have views fictionalized biographies of jazz musicians such as: "Five Pennies" (on Red Nichols), "The Benny Goodman Story, The Glenn Miller Story ", etc.. Or film with the participation of musicians in various ways individuals, groups or bands such as" Cabin in the Sky, New Orleans "(in Italian" City of Jazz ")," Stormy Weather "" A Song is Born "(in Italian" Venus and the Professor "), etc.., or with film soundtracks, written by jazz musicians such as:" anathomy of a Murder "(" Anatomy of a Murder "), written by Duke Ellington, "The Man with the Golden Arm" ("The Man with the Golden Arm"), written by Elmer Bernstein, or "Ascenseur pour l'Éschafaud" ("Elevator to the Gallows") written by Miles Davis, etc., only to remember the most famous. 5th year ago, finally, in the summer of 1958, U.S. Bern Stein released a documentary film Jazz on a "Summer's Day" at the Newport Jazz Festival that year, the event jazz par excellence. The film offers us portraits of the best sound of jazz, blues and gospel of the time (Louis Armstrong, Gerry Mulligan, Thelonouis Monk, Chico Hamilton, Jimmy Giuffre, Anita O'Day, Dinah Washington, Mahalia Jackson, and many others ). And then there's the recent history of children with major themes of jazz and products made with intense love.

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recap: 9th meeting - Jazz and Pop (song form)

The House of Jazz presents

Jazz Colours - The music that revolves around you

12 games on jazz and its influences

9 th meeting

Jazz and Pop Song

Monday, November 30

Auditorium of the Casa del Jazz

Ardeatina Gate Avenue, 55 - 00153 Roma

19.00

Free admission

Info line: Tel 2006 704 731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto

Media Director Vittorio Malpassuto

With

BassVoice Project

Pippo Matino (bass) - "Silviavoce" Beard (vocals)

ANTONELLA VITALE QUINTET

Antonella Vitale (vocals) - Domenico Sanna (piano) - Francesco Puglisi (upright bass) - Alessandro Marzi (drums) - Aldo Bassi (trumpet and flugelhorn)

FEDERICA BAIONI QUARTET

Federica Baio (voice) - Giuliano Values \u200b\u200b(piano)

Maurizio Perrone (bass) - Dario Esposito (drums)

A Unlike what happens very often in pop, jazz is not running on the composition and the thing is easily explained: there are many who presume to have the inspiration to write a song, a form of expression that always must be considered popular, and to compose a jazz piece is a technical undoubtedly higher. Happens that sometimes a great song is able to overcome the boundaries of its traditional use, to become an evergreen (defying the passage of time) and, in very special cases, in jazz standards (or better: new stand) benefiting oestrus of expressive talent and genius of musicians who prefer to operate on what is billed as beautiful, instead of risking their creativity in original songs at the risk of outcomes are expected. Jazz and pop is often marry, crossing each other are colored, and often with fantastic results and unexpected. Almost always, the jazz musicians who decide to steal a pop song, the first thing they do is to sacrifice the text. Do not go, however, forgotten pop songs that are born with a predisposition jazzy falling into a sphere more sophisticated, highly appreciated by the public's palate up.

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recap: 8th meeting - Jazz and Tango

The House of Jazz presents

Jazz Colours - The music that revolves around you
12 games on jazz and its influences

8 th meeting
Jazz and Tango Monday, November 23


Auditorium of the Casa del Jazz
Ardeatina Gate Avenue, 55 - 00153 Roma

19.00


Admission free Info line: Tel 2006 704 731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto
With the expertise of Victor Malpassuto

With
Giuliana Soscia - Pino Jodice & ITALIAN TANGO QUARTET

Giuliano Soscia (accordion)
Pino Jodice (piano)
Aldo Vigorito (bass )
Emanuele Smimmo (drums)

The tango is a form of art that includes music and dance was born in Buenos Aires around the second half of the 800. Tango uses a tool for his performances, perhaps invented, or perhaps popularized by the German composer Heinrich Band, the bandoneon, a kind of accordion of wood with holes to be opened or closed with your fingertips produces the notes, and that has the feature to change the note, depending on whether the bellows is compressed or expanded instead. Despite being a very syncopated music, does not use percussion instruments and also other instruments are played in a special way to give hints of strong rhythmic beat and signatures. Its harmonic structure, however, is typically Italian. Half the weight of cultural tango is originally from Italy. The names of the greatest composers of music, from the early twentieth century until the age of gold, the '30s and '40s, Aníbal Troilo, Juan D'Arienzo, Carlos Di Sarli, Osvaldo Pugliese, Francisco De Caro are all sons of Italians. Even Astor Piazzolla, the composer who changed the course of the tango, taking it around the world, has Italian roots (for the accuracy of Trani). Musically, the tango has evolved with jazz and, in recent years, a movement has emerged of young musicians through the contamination they created what is referred to simply as nuevo. On 30 September 2009, UNESCO declared the tango Intangible Cultural Heritage of Humanity.

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summary : 7 th meeting - Soul Jazz and Acid Jazz

La Casa del Jazz has

Jazz Colours - The music that revolves around you

12 games on jazz and its influences

7th meeting

Soul Jazz and Acid Jazz

Monday, November 16

Auditorium of the Casa del Jazz

Ardeatina Gate Avenue, 55 - 00153 Roma

19.00

Free admission

Info line: Tel 06 704731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto

With the expertise of Victor Malpassuto

With

Fulvio Tomaino & SOUL ITALIAN DELEGATION

Fulvio Tomaino (lead vocal)

Massimo Calabrese (bass & voice)

Franco Ventura (guitars & voice)

David Pistons (piano, keyboards & voice)

Derek Wilson (drums & percussion)

Eric Daniel (saxes & flute

)

At this meeting, star and black music its facets. If we take account of the black music that we hear today, we would lose a thousand definitions from similar genres or styles, but different. Simplifying : it all started (to skip the blues, true father of all) with soul jazz that developed from hard bop, generally in strong colors added blues, gospel and rhythm and blues. Unlike hard bop, soul jazz emphasized a more repetitive rhythmic pulse, with rates of more stylized melodic solos and less complex than those offered in other styles. The soul jazz developed in the fifties and reached the peak of its popularity in the seventies. Some memorable names: Richard "Groove" Holmes Jack McDuff, Jimmy Smith, Eddie Harris, Stanley Turrentine and Hank Crawford. After the seventies jazz fusion so confusing, pop soul, funk and in other definitions here: smooth jazz or adult contemporary music. The list is endless and the names of the protagonists are straconosciuti. While talking about more or less always the soul of fashion, at some point, begin to lord it, and then, still other definitions. The acid jazz is one of them. He was born in the late eighties in England and re-close the pleasant mix of jazz and soul music to attract young audiences of the time. Remember: the James Taylor Quartet (the jazz-funk), the producer DJ Gilles Peterson (he founded the label in '89 label Talkin 'Loud) launching bands such as Galliano (there are two former Style Council, White and Mick Talbot), the Incognito and the Young Disciples, the producer DJ Eddie Piller (Acid Jazz Records founded) and throws in track and Jamiroquai Brand New Heavies.

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summary: 6th meeting - Jazz and Beatles

The House of Jazz presents

Jazz Colours - The music that revolves around you

12 games on jazz and its influences

6th meeting

Jazz and Beatles

Wednesday, November 11

Auditorium of the Casa del Jazz

Ardeatina Gate Avenue, 55 - 00153 Roma

19.00

Free admission

Info line: Tel 2006 704 731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto

With the expertise of Victor Malpassuto

With

Zifarelli Rocco (electric guitar and oud)

Joseph Holland (bass)

Fabio Accardi (drums)

If you think only a few Beatles songs as compositions of extraordinary, one finds that, liberated from the original versions that made them famous through the powerful interpretations of Paul, John, George and Ringo, are able to enter in the ideal " song book "available to all those artists who want to welcome you to their personal repertoire. The jazz is no exception and it happened that the overtly pop hits, signed by the Fab Four, have become, to all the title, the actual standards. How Not to mention the monumental versions sung by voices like those of Frank Sinatra, Bing Crosby, Ella Fitzgerald, Sarah Vaughan, Caterina Valente or RayCharles, able to read and develop their potential within the structure of the closed-form song. On the orchestral "full swing" the first name of all is the legendary Count Basie and in '66 he recorded with his big band "Beatles Bag". In no particular order are: John Abercrombie, Ralph Towner, Toots Thielemans, David Fiuczynski, Cassandra Wilson, Dianne Revees, Greg Osby, Spyro Gyra, Arturo Sandoval. And yet, it is impossible to name them all, Lionel Hampton, Buddy Rich, Oscar Peterson. Then there is the dense band of harboppers including: the saxophonists Stanley Turrentine, James Moody, trumpeter Lee Morgan, flutist Herbie Mann and the wonderful guitarist Wes Montgomery. But it is the modern pianists to play the part of the lion by McCoy Tyner Chick Corea, Ramsey Lewis by Brad Mehldau. On the vocalist? Carmen McRae, Carol Sloane, Diana Krall and Bobby McFerrin. And then ...

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recap: 5th meeting - Jazz and Eloctronics

The House of Jazz presents

Jazz Colours - The music that revolves around you

12 games on jazz and its influences

5th meeting

Jazz and Electronic

Monday, November 2

Auditorium of the Casa del Jazz

Ardeatina Gate Avenue, 55 - 00153 Roma

19.00

Free admission

Info line: Tel 2006 704 731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto

With the expertise of Victor Malpassuto

With

Maria Pia De Vito (vocals & electronics)

Luca Bulgarelli (bass & electronics)

Michele Rabbia (drums, percussion and electronics)

Gwis Alexander (piano & electronics)

jazz and electronics rely on a set of definitions (electronic jazz, electro-jazz and jazz-, jazztronica, jazz, house, neo-jazz future jaz or) trying to catalog the many expressions of sounds that are all head to the admixture of the freedom of jazz with the child sound technology, computers and emulators sound. Many musicians are always looking for new areas in which their creativity can be expressed in something truly new. After the period in which electronic solutions instead of free creativity, in fact, inhibited, creating stereotypes often always the same (this has happened and still happens in pop and dance), talent and intelligence of the musicians managed to find a way "to play" the cold sound of the computer, merge them with acoustic instruments. After the transition from acoustic to electric jazz occurred in the seventies (Miles Davis, Herbie Hancock, Ornette Coleman), in the eighties musicians like Bill Laswell and Jan Garbarek have their research to the extreme (in a mix of style, unusual sounds and technology ). Among the nineties and the 2000 explosion of the admixture of solutions produced by the computer and jazz (St Germain, DJ Takemura, Perry Hemus, Jazzanova) enters strongly into the charts. The movement is growing and includes not only musicians but also producers, DJs, video makers, visual artists, creating beautiful and multi-media performance. Some names: the producers (often the real team) Squarepusher, Spring Heel Jack, London Elektricity, Landslide, techno musicians such as Laurent Garnier and Carl Craig, the musicians of the traditional jazz scene with the desire to experience such as pianist Bugge Wesseltoft and trumpeter Nils Petter Molvaer. And how can we forget The Cinematic Orchestra, a formation that is perfectly proper synthesis of jazz with electronic sounds.

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recap: 4th meeting - Jazz and Rock

The Casa del Jazz presents

Jazz Colours - The music that revolves around you

12 games on jazz and its influences

4th meeting

Jazz and Rock

Friday, October 30

Auditorium of the Casa del Jazz

Ardeatina Gate Avenue, 55 - 00153 Roma

19.00

Free admission

Info line: Tel 06 704731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto

With the expertise of Victor Malpassuto

With

Alfredo Bochicchio (guitar)

Mats Eldberg (guitar)

Stefano Micarelli (guitar)

Pippo Matino (bass)

Marcello Surace (drums)

Jazz Rock (also called Jazz Rock Fusion and later, more simply, only Fusion) is a perfect example of contamination at 360 ° sound emerged in the late Sixties and early Seventies. A multitude of musicians from at least three extractions music different, driven by three needs creative / expressive, too, different, and have created an innovative sound universe, full of wonderful insights and talents. In Jazz Rock have been fed, many young jazz musicians who wanted to take the lessons of past masters and clothe, electrified, with the "colors" (styles, technologies and liturgies) of the time, many rock performers who wanted to overcome the boundaries of simplicity (not only harmonic) of all genres, and finally, urban funk, nascent, energetic soundtrack of the new African-American culture.

to indicating only by way of pure simplicity, the first recordings revealed that the contamination of the new world Jazz, the two names that would put almost all agree are: Frank Zappa and Miles Davis, with the album "Hot Rats" ('69) for the first, "In a Silent Way "('69) and" Bitches Brew "('70) for the second. But the Jazz Rock and much more: the group Weather Report with Wayne Shorter, Jaco Pastorius and Joe Zawinul, the album "Spectrum" of the powerful drummer Billy Cobham, the unpredictable French violinist Jean Luc Ponty, the British Soft Machine, the Casiopea Japanese, Americans Return to Forever Chick Care, the exotic Mahavishnu Orchestra of John McLaughlin. Other names impossible to forget: Larry Carlton, Larry Coryell, Al Di Meola, Herbie Hancock, Marcus Miller, Pat Metheny and ...

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recap: 3rd meeting. Jazz and Brazil

The House of Jazz presents

Jazz Colours - The music that revolves around you

12 games on jazz and its influences

3 rd meeting

Jazz and Brazil

Monday, October 19

Auditorium of the Casa del Jazz

Ardeatina Gate Avenue, 55 - 00153 Roma

19.00

Free admission

Info line: Tel 2006 704 731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto

With the expertise of Victor Malpassuto

With

Max De Tomasi (radio host)

Eddy Palermo (guitar)

Rinaldo Santiago (drums)

Basirico Daniel (bass)

Marina De Santis (vocals)

Colasazza Claudio (piano)

Juan Carlos Albelo (harmonica)

Paradoxically, the meeting between the two main types of music of the Americas (jazz and samba), it was the work of those who had invented and had made history and established features. The American jazz is essentially due to the influence of African rhythms mixed with European music and flokloristica whites. Similarly, but with completely different rules, Brazilian music, born from the rhythms imported by the slaves with the Portuguese music and rhythms of indigenous (Brazilian music, like his people, has three souls). In both situations, the European musical tradition, religious traditions (Protestant north, the south Catholic), were mixed with the temperament of the blacks who were the main performers, innovators and soul of the music of the two sub-continents. The real "fusion" between the North American jazz and samba (music), Brazil (in their modern form) takes place instead of by white musicians. The bossa nova was a form of samba totally reinvented by a diverse group such as geographical location, but quite as homogeneous social characteristics: it was the white middle class society, modern and inspired by the new wind of economic revival and nationalist, of Brazil Juscelino Kubitschek. The merged jazz with which, by its inventors themselves, in the United States in the early sixties, was a successful musician as Stan Getz, which was very true to the black jazz, but that was one of the leaders the coolest music, loved by the general public, white, that he bought the discs and voted in the referendum of specialist publications.

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recap: 2nd meeting. Jazz and Cuba

House Jazz presents

Jazz Colours - The music that revolves around you

12 games on jazz and its influences

2nd meeting

Monday, October 12

Auditorium of the Casa del Jazz

Ardeatina Gate Avenue, 55 - 00153 Roma

19.00

Free admission

Info line: Tel 06 704731 (Monday to Friday from 10.00 to 18.00)

leads Alfredo Saitto

With the expertise of Victor Malpassuto

with

Emanuele Smimmo (drums)

Carlos Sarmiento (piano)

Francesco Puglisi (electric bass)

Juan Carlos Zamora Albelo (violin and harmonica)

Jazz Cubano form the backbone of 'much broader universe of Latin Jazz and is characterized by rhythms combined with jazz melodies and progressions of stringed instruments. The Latin influences have begun to merge with the background music in the United States in 1930. Some Latin dances like salsa and merengue continue to feel its influence today.

Latin music has its own unique sound. The eight notes are played straight, do not swing like the other styles of jazz but syncopated. A wide variety of Latin percussion supports the creation of musical orchestras. The Congas, which are of Afro-Cuban origin are played with the palms of the hands and fingers, even the Bongos are Afro-Cubans, but they are taller and thinner. Other common tools are timbales, claves and bells.

The Cuban Jazz, simplifying a lot, is a mixture between the Jazz and the Son, one of its interpreters remember Mario Bauza, world-class trumpeter who emigrated to the United States in the thirties. The Cuban Jazz has the merit of to enter into any modern jazz orchestra percussion Cuban of African descent. Among its leading exponents include Chucho Valdes, Arturo Sandoval, the group Irakere, Bareto Guillermo, Emiliano Salvador and Chano Pozo. ... but the list can go on forever.

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recap: 1 meeting - Introduction

La Casa del Jazz presents

Jazz Colours - The music that revolves around you

12 games on jazz and its influences

1st meeting

Monday, October 5

Auditorium of the Casa del Jazz

Ardeatina Gate Avenue, 55 - 00153 Roma

19.00

Free admission

Info line: Tel 06 704731 (Monday to Friday from 10.00 to 18.00)

Leads Alfredo Saitto

With the expertise of Victor Malpassuto

with

Dario Salvatori

Ezio Zaccagnini (drums)

Giosi Cincotti (piano and keyboards)

Ferrazza James (bass and electric bass)

Starting from the widespread assertion that defines jazz is "a genre of music," considering reductive, in this first meeting (which for simplicity we define the application cycle), is investigating the jazz world as a complex, crowded and full of surprises. To make clear the multitude of concepts, just this once, we will use conventional definitions (apparently technical) that catalog in the macro-jazz (Big Band / Swing - Bop - Cool - Free Jazz - Fusion - Hard Bop - Latin Jazz / World Fusion - New Orleans / Classic Jazz - Soul Jazz / Groove), which in turn winding in many proposals that reflect the styles of musical structures, the type of training and contamination of the thousands (not just sound).